One of the best catataxic aphorisms is this “You are not stuck in Traffic. You are Traffic”. It invites you to step above your instinctive personal view of things and see the broader context, and your place in that context. It encourages you to “see the wood for the trees”, to get some perspective on the matter.
Here is an interesting parallel in Japan. As always, Japan absorbs interesting ideas from outside and, by putting their own spin on them, transmutes them into something sublime. Remember the crop circles on the farms in the West of England? A trigger for much mystic speculation, they were eventually shown to be a destructive but whimsical prank carried out by drunken yokels with some ropes and planks. Geometric patterns carved into the breast of Demeter, the goddess of grain. The agricultural equivalent of a cheap tattoo, or, in an urban setting, tagging a wall with spray paint.
In Japan, they have turned this “graffiti” into art. By planting different strains of kodaimai rice with yellow or purple leaves in precisely the right places among the traditional green leaved tsugaru variety, their paddy field becomes canvas. A picture that gradually becomes visible as it grows; not imposed destructively from the outside but nurtured and organically emergent from the seed.
The trend started in the village of Inakadate in Aomori Prefecture in Northern Japan but has since spread to other regions. The patterns are carefully worked out on computers before planting in May, and by September the “rice art” has fully developed and is ready for harvesting. Of course, you can only see it from a distance and after some time has passed. That is the catataxic part. When you are knee deep in the muddy water planting tiny grains its hard to perceive the big picture. That belongs on a different level.
See this you tube clip to watch the picture growing before your eyes ….