Sonic animation test

AlienI’m currently working in Singapore with a tech startup called Sonoport. Here is my first sonic animation using the alpha version of the Sonic Animator – check out and have a play with the Studio.
Click on the link below and then move your cursor over the picture until it turns into a little finger icon – then click repeatedly …with your sound turned on!

Trial by Catataxic Jury

Trial by Jury Trial by jury is one of the underpinning notions of justice. Juries, made from 12 people chosen at random from the community, inject a societal element into the legal system. They act as a check against the power of the state, and were one of the key principles established in the Magna Carta which curtailed the power of the King. Juries are proof that justice arises from the community. While judges concern themselves with issues of law, juries are responsible for determining the facts of the case. In other words, they are there to decide who is telling the truth: juries are a 12 body community lie detector. The only problem is that this time worn mechanism for establishing truth has a lie, or at least a fiction, concealed in its own heart.

The lie is this: the unanimity of the juries verdict. Twelve people of different backgrounds are expected to coalesce together into a single viewpoint. This is a catataxic transformation. Twelve individual voices on level 1 merge to form a single, representative community voice on level 2. This magical mutation happens in private; nothing must disturb the seclusion of this sacred metamorphosis. Anyone who violates this will be severely punished. Just look at today’s news that a juror who facebooked the defendant has been given a eight month sentence. Social networking can be criminally dangerous!

When touched at their weakest point , the strong react with disproportionate violence. Maybe the reason for this excessive reaction from the judicial system is that their vulnerable underbelly has been poked. The protective veil drawn around the jury’s deliberations conceals a fatal weakness: it is not possible for twelve people to speak as one. Not without a lot of back room bullying, threats, posturing and other social unpleasantness.

The inherent conflict of a jury’s deliberations had been exploited to dramatic effect in the movie 12 Angry Men (1957) and to comic effect by Tony Hancock in a TV episode of the same name. Recent research shows that jurors often feel intimidated and do not speak out in a group as large as 12. A better size for a proper, balanced group discussion is a group of four. This implies that a smaller jury , or a “best of three system” based on subgroups of 4 might give a more representative result. To traditionalists, suggestions like this which tamper with the fundamental rock of justice is anathema. The catataxic transformation of individuals to a single community voice is sacred. It should not be messed with even if it pushes the bounds of credulity. In fact, it may be sacred because it pushes the bounds of credulity. It is an article of faith just  like the transubstantiation of bread to the body of Christ at the heart of the Christian ritual. Or the belief that anointing with sperm whale oil transforms a mere mortal to a monarch. This is the only part of a British coronation that is so sacred it has never been photographed or televised.

The Hop Exchange

The Hop Exchange, Southwark, London
Exterior of the Hop Exchange, Southwark, London 2011

I was working on a local history project in Kent (where I live) when a friend gave me some old photos. They showed men in frock coats handling hops on long trestle tables. These are city workers handling an agricultural product. It took me some time to track down where the photos were taken.  It turns out they were hop factors in the 1920s, working in 15 Southwark Street opposite the Hop Exchange in London.

The hop trade was once a major industry in Southwark. Back when there was only one bridge over the Thames (London Bridge) everyone passed through  Southwark . Its coaching inns and breweries have been famous since Chaucer’s time; this is where the pilgrims gathered before setting off for Canterbury. There was plenty of traffic up the other way too. Kentish hops, grown in the Garden of England, came up the A2 and the Old Kent Road to the market traders in Southwark Street, around the corner from Borough Market.

Hop factors at the exchange
Factors working near the Southwark Hop exchange in 1920s

The hops were dried in oast houses and then tightly compressed into 6 foot sacks called ‘pockets’ and sent up to the middlemen, known as hop factors, in Southwark Street.  Each load was sampled by cutting a foot square brick of pressed hops out of one of the pockets. This cube was wrapped in brown paper and secured with brass chair nails. Samples from a particular grower were all strung together with waxed hemp.

Another set of middlemen, the hop merchants who acted for the brewers, came to inspect the samples. These photos show the merchants (e.g. man in top hat on left) examining the hop samples displayed by the hop factors.  The room is starkly functional. A big glazed roof lets in plenty of natural light to help the inspection and a big clock to measure opening and closing times. Nothing else. No decorations at all.  After all, this is a serious place of business.

Hop production peaked in Kent in 1878 and has been declining ever since.  Kentish hop varieties, such as Fuggles and Goldings,  add bitterness to beer and ales, whereas German hops have low bitterness and strong aroma and are used for lager. So a number of trends conspired in the decline of the Kentish Hop industry. First was the trend towards lager over bitter. Second was the decline in exports as Australia and South Africa began growing their own  hops. The third blow came in 1973 when Britain joined the Common Market and cheaper continental hops wiped out most of the growers in Kent.

Bomb damage in WW2 meant that many warehouses were rebuilt in Paddock Wood in Kent and the hop merchants moved what was left of the industry down there in the 1970s.The last hop merchant, Wolton Biddell  in Borough High Street, closed its doors in 1991.  All the buildings have been redeveloped. The area around London Bridge and Borough has become one of the hottest development areas in London as evidenced by the Shard, Europe’s tallest building to be completed next year.  The old Hop Exchange has become a general purpose office building.

Interior of the Hop exchange
Inside the Hop Exchange, Southwark London, 2011

But what a beautiful building. Opened in 1867 and designed by R.H.Moore it is now Grade II listed. When you step inside you can see the vast open atrium and the three tiers of balconies overlooking it. It is designed to allow ‘open outcry’ ; traders on the floor, merchants on the balconies shouting their orders back and forth to each other.  Its just like the old stock exchange before it became computerised, or the Royal Exchange where futures were once traded but which is now an upmarket shopping mall.  The Lloyds Insurance building has the same “atrium and balcony” design,  letting all the brokers hear the stroke of the Lutine bell to inform them of bad news. In the hop exchange, all the balconies bear the  crest of Kent – a white horse on a red shield – to remind occupants that this is the trading place for Kentish hops.

I live opposite a oast house and travel to London Bridge every day. The oast house across the road from me has been converted to a spectacular county home. My daily journey encompasses the agricultural history of Kent both at the beginning and end; from an oast with no hops to a hop exchange with no brokers. A palace for a product that no longer exists. There are plenty of brokers getting off the train at London Bridge these days, but they are not broking hops any more but financial products instead.

You may be wondering where the catataxis comes in all of this. This tale is not just a personal trip of nostalgia,  because there is one more twist to the story: the hop exchange was never full of brokers.  The Victorian developers built it in a burst of progressive optimism hoping to capture and consolidate the hop trade inside its walls. But the hop factors and merchants already had their own various premises and saw no reason why they should move. So the hop exchange has only ever been a general office building and not a commodity exchange at all. It was an attempt to anchor the level 2 activity of the hop trade inside the level 1 physical shell of a building which failed.

Oast houses in Kent
Oast Houses in Chiddingstone Kent

The Victorians were keen on making the abstract concrete. Think of the statues of “Trade” or “Progress” that adorn Victorian metropolitan buildings. These are industrial versions of the ancient Greek muses; abstract concepts  in female form. The Hop Exchange was an attempt to cast economic activity in architectural form. Sadly, it did not work. This building designed to house speculators was itself a speculative failure. This was a catataxic blunder. Just because a building exists at level 1 does not mean that the trade at level 2 will be captured by it. In this case, the motto is: if you build it, they will not come.

See more photos of the building here: